The Brady Foray: Best Albums of 2013

By Jack Brady

I know what you’re thinking. An article on the best albums of any year and I’m not mentioning Flume (except now, obviously). We at the Brady Foray believe that Flume is a noisemaker and racket producer and barely a musician. Take that spray with a grain of salt.

However, these six albums are just pure brilliance. International bands have come out in 2013 punching and kicking in style, others have announced their return to the world of music with aplomb.

While Australian music was further embarrassed at the ARIA awards a couple of weeks ago (who the hell is Samantha Jade?) there have been some absolute gems to come out of Australia that were barely or not at all recognised in what is meant to be the showcasing the best Australian music. Any award ceremony that Tame Impala and Guy Sebastian win multiple awards is laughable.

But let’s not get tied down by our tyrant outrages. Here are the Brady Foray’s Best Albums of 2013.

Honourable Mentions:                                   

  • Lorde – Pure Heroin
  • Grouplove – Spreading Rumours
  • Kings of Leon – Mechanical Bull
  • Bob Evans – Familiar Stranger
  • Edward Sharpe and the Magnetic Zeroes – Edward Sharpe and the Magnetic Zeroes
  • Boy and Bear – Harlequin Dream

The Best Six Albums:

Eskimo Joe – Wastelands

As massive Eskimo Joe fans, we were a little taking aback by their latest crowd-sourced album, Wastelands. The Esky’s sixth album is phenomenal albeit vastly different to the expectations surrounding one of Australia’s best bands of the 2000s. Before releasing Wastelands, Kav Temperley and co. ambushed us with a two song attack – with ‘Running out of Needs’ and ‘Got What You Need’ rocking our ears and confusing us in the process, do they have needs or not? These songs were different but weren’t alarming. There was a whole album to be listened to first. Then the whole album dropped and the Esky’s had taken us on a whole new direction. A brilliant direction, may I add.

Arctic Monkeys – AM

This album is arguably the best album to come out of the year of music. AM made us at the Brady Foray go from “Oh yeah, they sing that you look good on the dance floor song” to “HOLY F$%# I CAN’T BELIEVE I MISSED OUT ON TICKETS TO THEIR SHOWS” such was the epic masterpiece that the Arctic Monkeys fifth studio album was. From what we can gather, Arctic Monkeys was an improvement on album’s past and with songs like ‘Arabella’ and ‘Why’d You Only Call Me When You’re High?’ now existing in the world of music you cannot go wrong. We’re yet to find anyone to say a bad thing about this album.

HAIM – Days are Gone

HAIM makes us wish that polygamy was legal. Like, how can you pick one of the three sisters when they’re all 11/10 on the hotness scale? Now that the political-incorrectness is out of the way, these girls are amazing! For a debut record, HAIM have come out swinging and laid the platform for future albums. These young ladies have a severe case of musical talent demonstrated through EVERY song on this album. There are zero lowlights and my interest never veered on any one song. While the album is called Days Are Gone, we hope they aren’t too far gone past releasing more LP’s. Did I mention that they’re gorgeous and they’re sisters? Stop it, HAIM.

Daft Punk – Random Access Memories

The mid-year Hottest 100 showcasing the best songs of the past twenty years demonstrated that Daft Punk was once great but had faded into obscurity. Random Access Memories, only a month old at this point however was gaining momentum. To borrow from Daft Punk themselves, they came back to the music world in 2013 Harder Better Faster Stronger. This album was hit producing machine. From the highly acclaimed ‘Get Lucky’ to the lesser known ‘Doin’ it Right’ and ‘Giorgio by Moroder’, Random Access Memories is 74 minutes of legendary disco and electronic funk produced by French producers Guy-Manuel de Homem-Christo and Thomas Bangalter. Don’t believe me? Do yourself a favour and listen to the album linked above.

Big Scary – Not Art

Big Scary is one of the Australia’s most underrated bands over the last three or four years. Not recognised or giving the plaudits they much greatly deserved. While Tame Impala are getting Grammy Award nominations for no apparent reason, Big Scary is doing brilliantly behind the scenes. What is rarely mentioned is that Big Scary is a duo that are covering an instrumental range usually expected from a four or five-piece band – that in itself is phenomenal.  Not Art lead by its second single and song of the year contender ‘Luck Now’ is one of the best of 2013 and is a perfect follow up to their 2011 debut album, Vacation.

Vampire Weekend – Modern Vampires of the City’

This is only speculation but I think Vampire Weekend has hit puberty. Their balls have dropped and their music has turned up the seriousness factor. While songs like ‘Diane Young’ and ‘Finger Back’ are obvious links to albums past, the majority of their third studio album – Modern Vampires of the City – is of a more mature nature. The brilliance of this album is highlighted in the fact that while Vampire Weekend have turned the corner on previous releases they still manage to pull off a believable record with songs like ‘Step’ highlighting the band’s variety and vast capabilities within their musical arsenal.

Who really cares about the modern day KKK?

Kanye & Kim: We’re laughing at you, not with you

By Erratic Eddy

You’re reading this because you thought I was supporting the KKK movement, the Ku Klux Klan and white supremacy. Let’s make it clear, I definitely do NOT support the Ku Klux Klan.

The modern day KKK phenomenon that I’m talking about is the latest craze over Kim Kardashian and Kanye West’s new baby, whose name supposedly begins with K as well. Whoop-de-doo!

This KKK phenomenon brings two questions to mind:

  1. Why is this news? And;
  2. Why do people care so much?

I don’t care for the Kardashians. They’re famous for being famous and their show is beyond terrible. Kanye, ironically, got himself a gold digger.

However, don’t think for a second I am blaming this phenomenon on Kanye and Kim. It is the trash media of today that presupposes that society wants to read it. The only purpose trash media serves in my life is making the wait in the doctor’s surgery lounge less boring.

Trash media must think I care about what’s happening at Buckingham Palace, who man-whore John Mayer is sexting now and which poor bastard Taylor Swift is writing a song about on her next album. The worst thing about it is that many people absolutely love it.

Is it to pass the time and escape the boring lives of your own? Probably. Yet surely there are other avenues of escaping your day-to-day life then checking up on Jennifer Aniston’s biological clock every week.

Maybe, just maybe, you could watch the real news and get a real view of the world.

Then again, you’re probably too busy watching Jersey Shore to even read this.

The REAL Best Songs of the Past Twenty Years

By Jack Brady

It has been two weekend’s past since Triple J played their Hottest 100 for the best songs of the past twenty years. It was literally music to mine, and I’m sure, the majority of the Australian public’s ears. I listened to the countdown from start to finish over the weekend, and while generally, it was a fantastic countdown, with Oasis’s ‘Wonderwall’ finishing up on top I couldn’t help but wonder how some songs even registered a mention. Songs like the Avalanches ‘Frontier Psychiatrist’ (#27), Massive Attack’s ‘Teardrop’ (#31), Underworld’s ‘Born Slippy’ (#56) and MIA’s ‘Paper Planes’ (#97) were questionable inclusions. It’s also hard to fathom how Hilltop Hoods (‘Nosebleed Section’ in at fourth) finished as high as it did. This article is a list of songs that wouldn’t have looked out of place in this Hottest 100. On a grand scale of everything, each of these songs is undeniably better than being subjected to the aneurysm-inducing, sixteen minute version of Daft Punk’s “Around the World”.

Ben Lee- Gamble Everything for Love (2004)

‘Gamble Everything for Love’ was the first single of Ben Lee’s 2005 album Awake is the new Sleep, Lee’s highly acclaimed ARIA winning fifth studio album. Released on December 13th, 2004, the song had eighteen days to impress to be even considered for the year’s annual Hottest 100. Fresh in Australia’s mind though and attributing to the song’s greatness, ‘Gamble Everything for Love’ finished within 2004’s top twenty songs at #15. Unfortunately by the time 2005 rolled around, the second single of the album ‘Catch my Disease’ overshadowed the first dramatically. It took Lee mainstream and saw ‘Gamble Everything for Love’ fall to the side, a forgotten gem of Lee’s greater accomplishments.

The Wombats- Jump into Fog (2011)

It’s not often a song is released in January and finishes as high as Jump into the Fog did in 2011. The second single of the Wombats second studio album This Modern Glitch finished at an admirable #18 in the annual Hottest 100, the highest of the four Wombats songs that made it into the countdown in 2011. A coming of age song for the Wombats, the darker sounds of ‘Jump into Fog’ emphasises a greater diversity of music and a change from the usual upbeat indie-pop beats usually contributed by the band. It’s not all doom and gloom for the Wombats though with the band’s 2007 cult classic, ‘Let’s Dance to Joy Division’ finishing in at #74 in the best songs of the past twenty years.

Live- Lightning Crashes (1995)

The wonderful voice of Chris Shinn painted a beautiful picture in Live’s 1995 classic ‘Lightning Crashes’. Ironically, the song about the transference of life between the elderly dying and a child being born, hasn’t materialised in the transference of Hottest 100 countdowns over the past twenty years. This masterpiece finished #22 in the 1995 Hottest 100. In 1998, in the Hottest 100 of the Greatest Songs of All Time it went one better and finished #21. That’s every song ever. Fifteen years later, and it doesn’t even rate a mention in the best songs of the past twenty years? It could be quite possibly the most unwarranted fall from grace of all time, especially since Matt Corby made the countdown. It’s a musical travesty!

End of Fashion- O Yeah (2005)

Here’s a fun fact for you, End of Fashion released their third studio album last year, bet you didn’t know that. Relatively unknown and seemingly disappearing into nothingness, End of Fashion haven’t made legitimate head ways in Australian music since 2008 upon the release of their second studio album Book of Lies. What is undeniable though is their biggest single, off their self-titled debut album in 2005 ‘O Yeah’ is essentially a rad song. The winner of two ARIA awards and the owner of an APRA Song of the Year nomination, ‘O Yeah’ managed to finish eighth in the 2005 Hottest 100. A high pitch OOOO YEAHHH definitely wouldn’t have been out of place on the Queen’s Birthday Weekend, that’s for damn sure.

Blur- Parklife (1994)

Like a fine wine, ‘Parklife’ only gets better with age. A thick British narrating about his day-to-day life doesn’t seem like much, especially since Blur is primarily recognised nowadays from their 1997 ‘Song 2’ wooooohooooos which managed to come in at #22 in the latest Hottest 100 edition. Rewind three years previously though and ‘Parklife’ was all the rage from their third studio album of the same name. This song still makes an odd appearance in normal programming on Triple J and gladly so, the good feels from ‘Parklife’ and the sing-along vibes is what makes it quintessentially a brilliant song.

Red Hot Chili Peppers- Around the World (1999)

When the Red Hot Chili Peppers released their seventh studio album Californiacation it marked a turning point for the band’s fortunes from thereon in. Anthony Kiedis, Flea and co. created a masterpiece. Songs from the album like ‘Californiacation’ (#30) & ‘Scar Tissue (#28) were celebrated accordingly within the latest Hottest 100, yet, the opening track ‘Around the World’ didn’t get a look in, not withstanding Daft Punk’s own interpretation of the song title. The shredding guitar at the beginning of this track albeit the album allows for Californiacation to expand and flex its muscles in what is truly one of the greatest albums of at least the past twenty years. While it came in at #37 in the 1999 Hottest 100, it definitely wouldn’t have looked out of place as one of the best of the past two decades.

An Eskimo Joe Song (1998-2012)

It is unbelievable that one of Australia’s best and most beloved bands over the last fifteen years didn’t rate a mention in the Hottest 100 of the past twenty years whatsoever. Over the course of the Hottest 100’s existence, Eskimo Joe has managed to make the countdown twelve times while two of their albums Black Fingernails, Red Wine (#47) & A Song is a City (#87) made the Hottest 100 in 2011 as two of the best Australian albums of all time. From the band’s breakout 1998 single, Sweater (#33 in Hottest 100), to their most recent appearance in any countdown, Foreign Land (#65 in 2009), with their peak songs ‘Black Fingernails, Red Wine’ (#2 in 2006) & ‘From the Sea (#3 in 2004) chucked in for the greater measure, how Eskimo Joe didn’t warrant one song in the Hottest 100 of the past twenty years is beyond explainable.

Bob Evans- Don’t You Think It’s Time (2006)

Jebediah front man Kevin Mitchell would’ve been stoked listening to the Hottest 100 of the past twenty years on the Queen’s birthday long weekend. ‘Harpoon’ (#91) & ‘Leaving Home’ (#98) just scraped into the countdown by the skin of their teeth in what was a good day out for Jebediah. Bob Evans, Mitchell’s alter-ego, wasn’t as lucky. ‘Don’t You Think It’s Time’ is one of the more pleasant songs of our generation, having come in at #37 in the 2006 Hottest 100. Having witnessed this song performed live in the middle of a crowd, uncut and unplugged, with the one man singing, playing guitar and the harmonica together, it is definitely one of the more grander memories of musical performances I’ve ever been too. While it may seem bias that this song is in here, I guarantee upon listening to it you will fall in love with it as well.

Edward Sharpe & the Magnetic Zeroes- 40 Day Dream (2009)

While the first single ’40 Day Dream’ off the band’s debut album Up from Below never made the hottest 100 of its year of release it would have definitely not been out of place. If the Kooks’s ‘Naive’ (#87), Temper Trap’s ‘Sweet Disposition’ (#38) & Bloc Party’s ‘Banquet’ (#57) could make it into the Hottest 100 of the past two decades without ranking in an annual list, why couldn’t Edward Sharpe and his Magnetic Zeros? While Eddy could celebrate the fact that the second single of the same album ‘Home’ charted at #73 as one of the best of the last twenty years, the better song ‘40 Day Dream’ is left floundering in most individuals  memories… except mine obviously and those almost two million people who have listened to this well crafted song on YouTube.

Johnny Cash- Hurt (2003)

The haunting and raw lyrics of Johnny Cash seven months before his death in ‘Hurt’ is one of the most eerie albeit beautiful musical journeys of the last decade. While yes, it is a cover of the Nine Inch Nails song of the same name, Cash’s version is arguably better and conveys several degrees of emotion further, considering the life he had. ‘Hurt’ never made a Triple J annual countdown, however, in 2009, in the Hottest 100 of All Time; the song came in at #60. What happened between then and now though is blurred. There can be only one explanation. Damn those fucking teenagers with their hippy pop music!

Beck- Loser (1993)

This song is a lyrical mess. With words that make no real sense and a chorus that can be established as an ironic funeral song, ‘Loser’ still manages to get the sing-along’s pumping when occasionally heard on our radio waves to this present day. Coming in at #45 in the 1994 Hottest 100, ‘Loser’ jagged the #97 spot in the 1998 Hottest 100 of All Time. Obviously the Australian public thought the song had become a “loser, baby” and were like “why don’t we kill” the songs aspirations as one of the best over the past twenty years. See what I did there? Comedian, eh? Yep, I’m done.

Bernard Fanning- Wish You Well (2005)

“Up so early, feel so bright. Didn’t get in the Hottest 100 last night”

While this is half-true, with two songs of Bernard Fanning’s band Powderfinger getting into the top ten, the man must ponder how ‘Wish You Well’, the #1 song of 2005 mind you, didn’t rate a mention as one of the best songs of the past twenty years. The song’s lyrics “why’d you give up on me so soon” must have been racing through the poor bloke’s head. ‘Wish You Well’ was one of only five songs that came in at #1 over the past twenty annual countdown’s that didn’t make it into the one just gone. Most of these are explainable, with Dennis Leary’s ‘Arsehole’ (1993), The Offspring’s ‘Pretty fly for a White Guy’ (1998) and Macklemore’s ‘Thrift Shop’ (2012) being absolute travesties of songs, ‘Wish You Well’ however is not. A pity party between Fanning and Kevin Mitchell aka Bob Evans would seem appropriate. Maybe the old saying is true after all? No-one is bigger than the band.

Movie Review: The Amazing Spiderman

By Jack Brady

The Amazing Spiderman isn’t quite amazing.

Quite frankly, it is a redundant reboot of the Spiderman franchise.

Half the movie rehashes on the origins of Spiderman: an origin that most fans would already know from the Toby McGuire films.

However, whilst the origin story may seem distinctively similar to the previous Spiderman’s, director Marc Webbhas moved away from the Peter Parker formula. It seems that Webb has ignored previous reincarnations of Peter Parker (through comics, TV and movies alike) that depict him as an out and out nerd.

In the Amazing Spiderman, Andrew Garfield plays a skateboard carrying Peter Parker, who appears to be relatively unknown by most at his high school, an awkward social outcast as such who shy’s away from the public eye and creepily lurks in the shadows taking photographs of his love interest in the film, Gwen Stacy (played by Emma Stone).

I’m still undecided as to whether it worked for me.

Sure, it was a good movie with great action scenes and brilliant visual effects but plot-wise, it just didn’t seem to gel.

Parker, in the Amazing Spiderman, is raised by his Uncle Ben (played by Martin Sheen) and Aunty May (played by Sally Field), after his parents go missing when he was a young boy.

During the course of the film Peter discovers his father’s briefcase which leads him directly to Oscorp and the lab his father’s partner, Dr. Curt Connors (played by Rhys Ifans), his father’s former partner.

Eventually, as if two streams of different storyline get smashed together, each of Connors and Parker’s different stories climax simultaneously as Spiderman and Connor’s villainous form, The Lizard, clash in brilliant action scenes.

Whilst it may’ve been a well selected cast, I still found it too soon for a Spiderman reboot albeit one with a plot that was well-plotted and very predictable.


Matchbox Twenty- She’s So Mean

By Jack Brady

Last week, Matchbox Twenty released a new single, ‘She’s So Mean’ off their forthcoming album North. After listening to the song several times, I can’t help but think Rob Thomas and co. have sold out to musical hell i.e. mainstream.

Let’s get one thing straight, I don’t mind the song, and yet, undeniably, I think the band is trying to reach out to the most impressionable minds when it comes to mainstream music, teenagers.

Teenagers will be the ones requesting it, talking about it and buying the single because of its pop music linage, it will be continually played on mainstream radio stations (think LMFAO’s Sexy and I Know It and Maroon 5’s Moves like Jagger), and more  importantly, from the bands’ point of view, they will be making money.

However, to that, I say fuck the teenagers.

How about the band’s loyal fans, like myself and millions of others?

We are the ones who have loved and listened to albums like Mad Season, Yourself or Someone Like You and More Than You Think You Are;  the ones who have loved and enjoyed songs like ‘Bent’, ‘Unwell’ and ‘Push.’

The song is nothing like their previous songs, in fact, in relation to their other songs, its rubbish. It sounds like it should belong on a Maroon 5 album.

If they stuck to their roots, and dare I say not sold out, they would’ve received the same if not a better reception from the fans of their past work.

Matchbox Twenty’s 2007 album, Exile on Mainstream, was a diversion from the bands’ previous work. It was a bold move for the band and it worked. Songs like “How Far We’ve Come” and “I Believe You When” were accompanied with a second disc of the bands’ Greatest Hits. It blurred the lines between old and new, with their new songs bringing loyal and younger fans together. The band pulled off a winner.

Fast-forward five years, and the band has gone to the dark side, and it isn’t good. In my opinion, this song is a slap in the face to the bands’ loyal fans.

Tell me what you think: